|
Aikido History
The name aikido is formed with three Japanese characters, 合気道, usually Romanized as ai, ki and do. These are often translated as meaning union, universal energy and way, so aikido can be translated as 'the way to union with universal energy'. Another common interpretation of the characters is harmony, spirit and way, so Aikido can also mean 'the way of spiritual harmony'. Both interpretations draw attention to the fact that aikido's techniques are designed to control an attacker by controlling and redirecting their energy instead of blocking it. Morihei Ueshiba developed aikido mainly from Daito-ryu aikijutsu, incorporating training movements such as those for the yari (spear), jo (a short quarterstaff), and perhaps also juken (bayonet). But arguably the strongest influence is that of the katana (sword) and in many ways, an aikido practitioner moves as an empty handed swordsman. The aikido strikes shomenuchi and yokomenuchi originated from weapon attacks, and resultant techniques likewise from weapon disarm. In some lines of aikido, all techniques can be performed with a sword as well as unarmed.
Aikido Training
A typical Aikido class consists of a teacher demonstrating techniques or principles which the students then practice. Training is done through mutual technique, where the focus is on entering and blending (harmonising) with the attack, rather than on meeting force with force. Uke, the receiver of the technique, usually initiates an attack against nage (also referred to as tori or shite depending on Aikido style), who neutralizes it with an aikido technique. The uke and the nage have equally important roles. Uke's role is to be honest and committed in attack, to use positioning to protect oneself, and to learn proper technique through the imbalanced feeling created by nage's technique. Nage's role is to blend with and neutralize uke's attack without leaving an opening to further attacks. Simultaneously nage will be studying how to create a feeling of being centered (on balance) and controlled in the application of the Aikido technique. Therefore, students must practice both positions in order to learn proper technique. When O-Sensei taught, all his students were uke until he deemed them knowledgeable enough of the technique to be nage. Movement, awareness, precision, distance and timing are all important to the execution of techniques as students’ progress from rigidly defined exercises to more fluid and adaptable applications. Eventually, students take part in jiyu-waza (free technique) and/or randori, where the attacks are less predictable. Most schools employ training methods wherein uke actively attempts to employ counter-techniques, or kaeshi-waza.
O-Sensei did not allow competition in training because some techniques were considered too dangerous and because he believed that competition did not develop good character in students. One of the first things taught to new students is how to fall. Both tumbling and later 'break-falls' are an important part of learning Aikido. This teaches participants how to avoid and minimize injury during class.
Aikido as a Self Defense
Aikido can be an effective means of self defense as its techniques are largely designed towards keeping the attacker off balance and locking joints. Much of aikido's repertoire of defenses can be performed either as throwing techniques (nage-waza) or as pins (katame-waza), depending on the situation. Entering, irimi, and turning, tenkan, are widely used aikido concepts, as is striking, atemi. Although attacks seldom are studied to the same extent as some arts, good attacks are needed to study correct and effective application of technique. "Honest" attacks are considered important. An "honest" attack would be an attack with full intention or a strong neutral (neither pulling nor pushing) grab or hold. The speed of an attack may vary depending on the experience and level of the "nage" (the partner who executes the throw or technique). Whether the attack is fast or slow, the uke's intention to strike or control (if grabbing or pinning) should remain, in order to provide the nage a realistic training scenario.
Aikido attacks used in normal training include various stylized strikes and grabs such as shomenuchi (a vertical strike to the head), yokomenuchi (a lateral strike to the side of the head and/or neck), munetsuki (a straight punch), ryotedori (a two handed grab) or katadori (a shoulder grab). Many of the -uchi strikes resemble blows from a sword or other weapon. Kicks are sometimes used, but are not usually part of basic curricula. Most aikido techniques can also be applied to a response to an attack, e.g. to a block, and some schools use this as the "basic" form of a given class of technique. Beginners also tend to work with techniques executed in response to a grab. Grabs are considered good for basic practice because the connection with uke is very clear and strong, and it is easier to "feel out" body mechanics and lines of force.
Manipulation of uke's balance by entering is often referred to as "taking uke's center". It is sometimes said that Aikido contains only defense, and the attacks that are performed are not really aikido. From a historical perspective this claim is questionable, but many if not most aikidoka have the defense techniques as the focus of their training.
Aikido Techniques
Aikido incorporates a wide range of techniques which use principles of energy and motion to redirect, neutralize and control attackers. One of the central martial philosophies of aikido is to be able to handle multiple-attacker circumstances fluidly. Randori practice against multiple opponents is a key part of the curriculum in most aikido schools and is required for the higher level belts. Randori is mostly intended to develop, like an exercise, a nage's ability to perform without thought. The idea is that the continued practice of having one opponent after another coming at you causes you to constantly be aware, and to have no rest, therefore not allowing the mind time to think, but only for the body to respond. It is likely that randori is more intended to be an exercise than an actual preparation to be attacked by multiple opponents. The role of uke and nage does not exist in these latter forms of randori since both participants attack and defend at will. Another tenet of aikido is that the aikidoka should gain control of their opponent as quickly as possible, while causing the least amount of damage possible to either party. If performed correctly, size and strength are not important for the techniques to be effective.
Aikido Weapons Training
Weapons training in aikido usually consists of jo (4-foot staff), bokken (wooden sword), and wooden (or sometimes rubber) tanto (knife). Both weapons-taking and weapons-retention are sometimes taught, to integrate the armed and unarmed aspects of aikido. For example, a technique done with a straight punch may be done with a tanto or jo thrust instead, or a grab technique may be illustrated as a way to draw/strike with a weapon while being grabbed.
Many schools use versions of Morihiro Saito's weapons system: aiki-jo and aiki-ken. The system contains solo kata with jo, and paired exercises for both jo and bokken. Some lineages use bokken kata derived from older sword schools. Also, quite a few aikido teachers, such as Mitsugi Saotome and Kazuo Chiba, have developed their own weapons systems. This is largely due to the fact that O'Sensei did not teach weapons to his students, excepting a few.
Clothing
The aikidogi used in Aikido is similar to the keikogi used in most other modern budo arts; simple trousers and a wraparound jacket, usually white. In some places a keikogi of karate cut is preferred; in others most people use judo keikogis. Keikogi made especially for aikido exist, but usually not in the lower price ranges. Many dojos insist that the sleeves are cut short to elbow length, to reduce the risk of trapped fingers and injuries in grab techniques to the wrist.
To the keikogi, some systems add the traditional garment hakama, wide pleated trousers. The hakama is usually black or dark blue and in most dojos, the hakama is reserved for practitioners with dan (black belt) ranks. Systems also exist where hakama is never worn or are worn from a specific kyu rank; others exist where women are allowed to wear it earlier than men.
The belt, obi is wrapped twice around the body similar to karate or judo. Although some systems use many belt colours similar to the system in judo, the most common version is that dan ranks wear black belt, and kyu ranks white - sometimes with an additional brown belt for the highest kyu ranks. In some dojos it is common to have the same color belt at different levels
|
|
|